Presented by The Lowry + Word of Warning as a WTF Wednesday
Soft flesh contends with hard metal as vibrating bodies + hysterical voices attempt to unseat the hidden interior of anxiety, desire, exertion, sexuality + relentless penetration.
Venue + Booking Details
Date: Wednesday 1 April 2020, 8pm
Venue: The Lowry (Aldridge Studio), Pier 8, Salford Quays, M50 3AZ
Tickets: book online from Friday 28 February, and Pay What You Decide by cash or card after the show (suggested donation £5; you can choose to donate £5 when you book).
Box Office tel: 0161 876 2000 (The Lowry)
Please note — this performance will be audio described + captioned.
Age Advisory: 16+ (parental/guardian discretion).
Warnings: specific content warnings will be available here by 28 February.
Duration: approximately 1 hour (no interval).
Features: choreographed movement + minimal live spoken English, with more content to be confirmed by 28 February.
Specific age + access info: please get in touch with us by emailing email@example.com or call 0161 232 6086 during weekday office hours.
Three bodies are working hard — using an assortment of domestic objects with a choreography of subtle shaking and relentless labour to produce moments of operatic melodrama and brooding states of dissent, quaking + eruption.
‘What is the role or necessity of pain in personal and social change? And who pays the price?’
A striking, subtle dance piece, We Are Fucked uncovers the hard work it sometimes takes to live in a world which is not designed for you. Ecstatic and excruciating, euphoric and unforgiving — it’s also quite sexy.
WAF premiered in August 2018 at Arnolfini, prior to performances in September 2018 at Southbank Centre’s Unlimited Festival.
Who is she?
Jo Bannon returns after 2017’s Alba — her story of paleness, blending in, and standing out — and for We Are Fucked is joined by Louise Ahl + Rosana Cade.
A Bristol-based artist working in performance, choreography + live art, Jo also works as a dramaturg, educator + writer, and is a founder member of artist collective Residence. She has presented work in the UK, Europe, South America, USA, China, South Korea + Australia — Word of Warning presented her intimate Exposure during 2013’s Domestic.
Jo’s work is concerned with sensory perception and human encounter — exploring how our physical bodies experience the world around us, and how this sensory experience can or cannot be conveyed. Informed by her identity as a disabled woman with albinism, her work attempts to unpick the ways we look, hear, and sense our immediate environment — in order to rethink or make unfamiliar these intrinsic human behaviours. Her performances often manifest as intimate encounters designed for single or small audiences (e.g. Exposure), alongside staged theatre work and installations.
What people have said about her
Penetrate the earth in the wrong way it will react. Penetrate the human body with enough daily violence and what…?
— Exeunt on We Are Fucked
Doubt and disturbance come to a climax in Jo Bannon’s powerfully penetrating performance
— Springback Magazine on We Are Fucked
In its own unassuming way, this show is a little miracle
— The Guardian on Alba
Concept: Jo Bannon | Devised + Performed by: Louise Ahl, Jo Bannon, Rosana Cade | Dramaturg: Sue Palmer | Sound Designer: Yas Clarke | Lighting Designer: Jo Palmer | Production Manager: Mark Munday | Mentor: Claire Cunningham | Producer: MAYK | Audio Description: Rationale Method | Captioning: The Difference Engine | Film + Photography: Paul Samuel White
Commissioned + supported by Unlimited, celebrating the work of disabled artists, with funding from Arts Council England. Additional support from Residence, Access2Arts + Arnolfini.